Grand illusions : American art and the first World War

Author
Published
  • New York, New York : Oxford University Press 2016
Physical description
1 online resource (380 p.)
ISBN
  • 0-19-021862-2
Notes
  • Includes index.
  • Includes bibliographical references and index.
  • Reproduction available: Electronic reproduction. [Birmingham, Alabama] : EBSCO Industries, c2018. Available in PDF format. Description based on contents viewed 25 January 2018.
  • English
  • Description based on online resource; title from PDF title page (ebrary, viewed Aug. 9, 2016).
Contents
  • Cover; GRAND ILLUSIONS: American Art and the First World War; Copyright; Contents; Preface; 1: WAR, MODERNISM, AND THE ACADEMIC SPIRIT; 2: WOMEN IN PERIL; 3: MIRRORING MASCULINITY; 4: OPPOSING VISIONS; 5: OPENING THE FLOODGATES; 6: TO SEE OR NOT TO SEE; 7: BEING THERE; 8: BEHIND THE MASK; 9: MONSTERS IN OUR MIDST; 10: EPILOGUE; NOTES; Preface; Chapter 1 "War, Modernism, and the Academic Spirit"; Chapter 2 "Women in Peril"; Chapter 3 "Mirroring Masculinity"; Chapter 4 "Opposing Visions"; Chapter 5 "Opening the Floodgates"; Chapter 6 "To See or Not to See"; Chapter 7 "Being There"
  • Chapter 8 "Behind the Mask"Chapter 9 "Monsters in Our Midst"; Chapter 10 "Epilogue"; LIST OF FIGURES; Preface; Chapter 1 "War, Modernism, and the Academic Spirit"; Chapter 2 "Women in Peril"; Chapter 3 "Mirroring Masculinity"; Chapter 4 "Opposing Visions"; Chapter 5 "Opening the Floodgates"; Chapter 6 "To See or Not to See"; Chapter 7 "Being There"; Chapter 8 "Behind the Mask"; Chapter 9 "Monsters in Our Midst"; Chapter 10 Epilogue; INDEX
Related item
Genre
  • Art.
  • Electronic books.
  • History.
  • Illustrated
  • text
Language
  • English

Summary

  • A vivid, engaging account of the artists and artworks that sought to make sense of America's first total war, Grand Illusions takes readers on a compelling journey through the major historical events leading up to and beyond US involvement in WWI to discover the vast and pervasive influence of the conflict on American visual culture. David M. Lubin presents a highly original examination of the era's fine arts and entertainment to show how they ranged from patriotic idealism to profound disillusionment. In stylishly written chapters, Lubin assesses the war's impact on two dozen painters, designers, photographers, and filmmakers from 1914 to 1933. He considers well-known figures such as Marcel Duchamp, John Singer Sargent, D. W. Griffith, and the African American outsider artist Horace Pippin while resurrecting forgotten artists such as the mask-maker Anna Coleman Ladd, the sculptor Gertrude Vanderbilt Whitney, and the combat artist Claggett Wilson. The book is liberally furnished with illustrations from epoch-defining posters, paintings, photographs, and films. Armed with rich cultural-historical details and an interdisciplinary narrative approach, David Lubin creatively upends traditional understandings of the Great War's effects on the visual arts in America.

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