Theory and method in historical ethnomusicology / edited by Jonathan McCollum and David G. Hebert.

Published
  • Lanham, Maryland ; London, England : Lexington Books 2014
Physical description
1 online resource (431 p.)
ISBN
  • 1-4985-0086-2
  • 1-4985-0705-0
Notes
  • Description based upon print version of record.
  • Includes bibliographical references and indexes.
  • Other format: Also available in printed form.
  • Reproduction available: Electronic reproduction. Ann Arbor, MI : ProQuest, 2015. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries.
  • System details: Use the Find It button to locate the e-book
  • English
  • Available in electronic full text to members of the University via the Library web catalogue.
  • Description based on print version record.
Contents
  • Theory and Method in Historical Ethnomusicology; Contents; Foreword: The Past is No Longer a Foreign Country; Acknowledgments; Chapter 1Foundations of Historical Ethnomusicology; Chapter 2Methodologies for Historical Ethnomusicology in the Twenty-First Century; Chapter 3 Philosophy of History and Theory in HistoricalEthnomusicology; Chapter 4 Hearing Echoes, Sensing History: The Challengesof Musical Diasporas; Chapter 5 Ancient Music, Modern Myth: Persian Music and the Pursuit of Methodology in HistoricalEthnomusicology
  • Chapter 6 Analysis of Notation in Music Historiography: Armenian Neumatic Khaz from the Ninth throughEarly Twentieth CenturiesChapter 7 Southern American Fiddling through theMid-Nineteenth Century: Three Snapshots; Chapter 8 A Tale of Two Sensibilities: Hindustani Musicand its Histories; Chapter 9 The Legacy of Music Archives in HistoricalEthnomusicology: A Model for Engaged Ethnomusicology; Chapter 10 Contested Contextualization: The HistoricalConstructions of East Asian Music; Chapter 11Advancing Historical Ethnomusicology; Name Index; Subject Index; About the Contributors
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Genre
  • Bibliography
  • Electronic books.
  • text
Language
  • English
Internet Resources
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Summary

  • <span style=""font-style:italic;"">Theory and Method in Historical Ethnomusicology demonstrates various ways that new approaches to historiography--and the related application of new technologies--impact the work of ethnomusicologists who seek to meaningfully represent music traditions across barriers of both time and space.

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